There is a ladder.
The ladder is always there
hanging innocently
close to the side of the schooner.
We know what it is for,
we who have used it.
Otherwise
it is a piece of maritime floss
some sundry equipment.
Point at which literal
(scuba dive) begins to separate from figurative (dive into the unconscious)
I always see the ladder
as sort of her backbone -- as if she is climbing down inside herself.
I go down.
Rung after rung and still
the oxygen immerses me
the blue light
the clear atoms
of our human air.
I go down.
My flippers cripple me,
I crawl like an insect down the ladder
and there is no one
to tell me when the ocean
will begin.
First the air is blue and then
it is bluer and then green and then
black I am blacking out and yet
Threshold-- she almost
backs out. but what saves her is her mask--personna, her idea of
who she is.
my mask is powerful
it pumps my blood with power
the sea is another story
the sea is not a question of power
I have to learn alone
to turn my body without force
in the deep element.
And now: it is easy to forget
what I came for
among so many who have always
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.
I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
I stroke the beam of my lamp
slowly along the flank
of something more permanent
than fish or weed
the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and away into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.
This is the place.
And I am here, the mermaid whose dark hair
streams black, the merman in his armored body.
We circle silently
about the wreck
we dive into the hold.
I am she: I am he
She is similar to
the mer-people in that she is down there too.
on the figurative
level these are parts of herself that she didn't know about.
The he and she continue
in the next stanza and are revealed to be parts of the ship. The
ship is her subconscious but it is also her body. He and She also
refers to anima/ animus in Jung: the need to confront our whole selves,
including the opposite gender parts of our selves we have repressed..
whose drowned face sleeps with open eyes
whose breasts still bear the stress
whose silver, copper, vermeil cargo lies
obscurely inside barrels
half-wedged and left to rot
we are the half-destroyed instruments
that once held to a course
the water-eaten log
the fouled compass
We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.
Connection to others.
She says that this journey is one that everyone takes. We all have
to divc into our own wrecks and confront who we really are. And all
we have to do it with are a few tokens-- defenses, our memory, and stories
about what were supposed to find that may not be relevant to us. (Maybe
it is especially hard for women to find a book of myths, stories that tell
what is really in their minds).