Schedule of Presentations for
Women's Art
Spring 1997
NB: Each presentor is responsible for selecting readings the week before their class. Readings will be woven into this web page as they are assigned.
Jan 9 -- First Class: Intro
Jan 16 -- Syd & Elisa: Feminism in Art
David Joselit, "Identity Politics: Exhibiting Gender" [Rev. of two exhibits -- "Sexual Politics" and "Gender, fucked"] Art in America (Jan. 1997)
Selections on "Feminism" from The Feminist Dictionary, ed. Cheris Kramarae and Paula Treichler (1985)
Jan 23 -- Rosemarie Bernardi: Lecture
Jan 30 -- Elisa Sparks: Modernism & Feminism
Whitney Chadwick, "Modernism, Abstraction, and the New Woman,"Chapter 9 from Women, Art, and Society (1990)
Lisa Rado. Introduction to Re-Reading Modernism: New Directions in Feminist Criticism (1994)
Feb 6 -- Everyone: Show & Tell:: Studio Visits
Feb 14 -- Fleming Markel: The Problem of a Female Aesthetic
Margaret Mary Majewski, "Female Art Characteristics: Do They Really Exist?" from Feminist Collage, ed. Judy Loeb (1979)
Lucy Lippard, "Both Sides Now: A Reprise" (1989) rpt. in Pink Glass Swan
Flavia Rando, "The Essential Representation of Women" Art Journal 50.2 (Summer, 1991)
Feb 20 -- Class canceled due to weather
Feb 27 -- Chasity Jones: Women Artists' Autobiographies Selections from
Kathe Kollwitz
Frida Kahlo
Eva Hesse
March 6 -- Films on Images of Women: Dreamworlds and Slim Hopes
March 13 -- Susan Goldsmith: Myth/Archetypal Approaches & Feminine Art
Claudia Gould, "Mythologies of the Feminine: A Conversation with Ann McCoy." Arts Magazine, February 1989.
Estelle Lauter, "Steps Toward a Feminist Archetypal Theory of Mythmaking," Introduction to her Women as Mythmakers: Poetry and Visual Art by Twentieth-Century Women. Indiana UP, 1984.
March 20 -- Spring Break
March 27 -- New York City Field Trip
April 1 (Tuesday) -- Syd Cross: Women and Printmaking
Richard Field and Ruth Fine, excerpts on printmaking in the seventies and eighties from Graphic Muse: Prints by Contemporary American Women (1987), pp. 5-6; 25-39.
April 3 -- Mary Ellen Rice: Women Photographers
Naomi Rosenblum, Intro, "Why Women?" and Chapter 2, "Not Just for Fun: Women Become Professionals, 1880-1915" from A History of Women Photographers (1994), pp.7-12; 55-9.
Eugenia Parry Janis, "Her Geometry" from Women Photographers, ed. Constance Sullivan (1990) pp. 9-25.
April 10 -- Laura Berkebile: Body as A Feminist Subject in Art
Rosemary Betterton, "How do women look? The female nude in the work of Suzanne Valadon from Looking On: Images of Feminity in the Visual Arts and Media, ed. Rosemary Betterton (1987) pp. 217-22.
Lisel Muller, "A Nude by Edward Hopper" in In Her Own Image, ed. Hedge and Wendt.
Norma Broude and Mary D. Garrard, "The Female Body and the Male Gaze" from their Intro to The Expanding Discourse: Feminism and Art History (1992), pp. 7-12.
??, "New Directions?" pp.116-32.
April 17 ---- Erin Ford: Body As a Feminist Subject in Photography